Arena - A Construção de um Sonho

After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Expelled from football after a series of match-fixing allegations, former Guatemalan player Gustavo Cabrera grapples with the devastating impact on his mental health and the course of his life.

Doctors told Mané Garrincha he was unfit to play pro soccer. He proved them wrong with two World Cups. Unfortunately, his life's story ended tragically. Still, people remember him as a legend.

Directed by Marianne Chaud

Singapore is a football nation. Every weekend, thousands of amateur players, from schoolboys to office executives to retirees, gather to play the Beautiful Game. Not for glory, not for fame; but for passion, football and friendship. This spirit is forged in the neighbourhoods; void decks, street soccer courts, open fields or any patch of grass. All across Singapore, footballers have a place they call their ‘Homeground’. For the first time, this football culture is captured on film. Homeground is a love letter to playing spaces we call home, and a tribute to all amateur footballers in Singapore

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.