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"Beachworld" is set in the distant future. Federation ship ASN-29 crashed on an unknown planet, only two members of the crew survived - Shapiro and Rand. They find themselves on an uninhabited planet. Desert, that stretches out in all directions. No food and no water. Despair and insanity creep up on survivals, sand devours everything and very soon they discover that they are not alone on the planet.

In a bold and original approach to memory, this Lettrist-inspired film maps an anxiety-ridden plane journey from Tokyo to Helsinki without the aid of photographic images. A variety of interventions on the film strip are combined with an atmospheric sound design to create a subjective story of displacement and containment. In an age when experience is increasingly mediated through digital technologies, Taanila seeks out an alternative language in the sensuous surfaces of the celluloid material.

Johnny Racković - Belgrade writer and artist, faced with the fact that he lost his mother, and then almost his own life, transforms into an animated hero from hell who is searching for his own sanity. The moment he begins to see the rules of transformation, the perspective of the whole story changes. And that new perspective will reveal to him that the whole world is threatened by the outbreak of a general plague and that he has become... KING OF NOTHING.

Kucia's most recent film, Across the Field (1992), is his longest and arguably his most complex film in terms of imagery. In it, he applies many of the various techniques he has developed for his films over the years, the result being a rich collage of drawing, photographic images, and live-action film footage whose individual frames he has manipulated. This complex technique exists, according to Kucia, only as a vehicle to evoke the mood and emotion he wishes the audience to experience. This Impressionist approach to filmmaking is no doubt what inspired Marcin Gizycki to dub Kucia the "Bresson of Polish animated film."