Narrator (voice)
Self
Self
Self
A provocative look from within at Afrikaner extremists who, in 1991, clung to the belief that they were the chosen ‘super race’ of Africa. With the demise of white rule, many of these Boers lived in fear. Some had banded into paramilitary groups, such as Eugene Terre’Blanche’s Afrikaner Resistance Movement, which claimed wide support within the South African army and police. They were preparing for an armed showdown with the new government.
In southern Africa’s Mashatu, one of the last bastions for free-roaming leopards, a mother leopard has just given birth. And she’ll do anything to protect her two cubs. But on this land, which is drying up by the day, the struggle for survival is fierce. A leopard war is about to break out. In this 40,000-hectare enclave plagued by climate change, resources are becoming increasingly scarce for wildlife. The leopards living there are forced to adapt, developing new behaviors that will lead to terrible interspecies clashes. Will the mother leopard be able to protect her offspring from the many dangers? Can the cubs master the art of survival? A gripping animal tale that follows the destiny of a family of felines for 3 years, in the wilds of Botswana. Thanks to cutting-edge technology (drones, high-sensitivity cameras), this film captures rare images of a fascinating species, revealing behaviors never before observed.
In Freedom Park, a squatter settlement near the platinum mines in SA, a network of former sex workers create Tapologo. They learn to be Home Based Carers for their community, transforming degradation into solidarity and squalor into hope. Catholic Bishop Kevin Dowling participates in Tapologo and raises doubts on the official doctrine of the Catholic Church regarding AIDS and sexuality in the African context.
More than 2.000 years ago, Narbonne in today's Département Aude was the capital of a huge Roman province in Southern Gaul - Gallia Narbonensis. It was the second most important Roman port in the western Mediterranean and the town was one of the most important commercial hubs between the colonies and the Roman Empire, thus the town could boast a size rivaling that of the city that had established it: Rome itself. Paradoxically, the town that distinguished itself for its impressive architecture, today shows no more signs of it: neither temples, arenas, nor theaters. Far less significant Roman towns like Nîmes or Arles are full of ancient sites. Narbonne today is a tranquil town in Occitania
As France's first ZAC (Zone d'Aménagement Concerté, or concerted development zone), Grigny is the ideal place to describe how France transformed its dream of a happy suburb into an impoverished urban nightmare. The film aims to leave the camera rolling throughout the story, to discover the inhabitants and the labyrinths of yesterday and today, and to answer the essential questions. From the residents to the architects, including the city of Grigny, the mayor, the prefect, the landlords, and the ANRU (National Agency for Urban Renewal), the film examines and deciphers the consequences of what happened in Grigny and the state's housing policy. Through the analysis of Grigny's history, we see how the state has participated and continues to participate in the creation of social exclusion.
During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.
William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.
