So-Ri

Guardian Angel

A reimagining /regurgitation and re-dubbing of a classic silent horror flick! Shot in mind-shattering 2D (& 36DD), featuring T&A and epic voice-over ‘voom’, by Ms. Ilham Otaku & Pepe Chingadero! Original 1922 star Max Schreck plays (in newly tinted archive footage, mixed, with new) Count Orlock, a deviant, adulterous, shape-shifting Transylvanian vampire aristocrat & super creep, who is tearing Bremen, a new corn-hole & it's up to a 'brotha-in-a-collar' and a creole nun with a flamin' gun, to stop him, in this 'creature-feature' fang-fest! Co-Starring Canadian Scream Queen: Vivita, with new footage shot in tantalizing Watt-a-Rama & dubbed in Tex-O-Phonic Super-Sound

Through his frustrations, an obsessed novelist connects with a dimension where a walking girl encounters weird characters in a mysterious urban world, slowly driving to the peaceful nature of the desert. In this trip between light and shadow, hope for finding an inner mental peace will prevail. This movie is characterized for an experimental language, with purposed technical and performing imperfections, wrapped in an organic fantasy effect.

Based on the novel of the same name by Oleksandr Dovzhenko. About the childhood of the famous Ukrainian film director Oleksandr Dovzhenko, who was born on the ancient lands of Chernihiv, along the banks the Desna. The film consists of two parts. The first is the world shown through the impressions of the six-year-old Sashko. The second is the recollections and reasoning of Sashko, now an elderly colonel who liberates his native village during the war.

The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design.