Western
Eddie and his sidekicks have been called in to help get a new telegraph line through. Dawson and his men along with his stooge Judge are out to stop them. When Eddie and the boys catch three of Dawson's men destroying telegraph equipment, the Judge releases them and this leads…


Eddie Dean
Flash - Eddie's Horse

Soapy Jones

Carrie Bannister

Stormy Day (as Al LaRue)

Skinny Bannister (as Robert 'Buzzy' Henry)

Florabelle Bannister

Mollie Bannister

Engineer Butler

Drake Dawson

Judge Templeton

Captain Rogers

Not to be confused with the 1929 film The Overland Telegraph, this Western from director Lesley Selander stars Tim Holt as a cowboy appropriately named Tim Holt. In order to hinder the construction of a new telegraph line for his own financial gain, scheming shopkeeper Paul Manning (George Nader) enlists the assistance of a gang of outlaws led by Brad Roberts (Hugh Beaumont in one of his many pre-Leave it to Beaver roles). Unfortunately for the bad guys, Holt and his cohort Chito Rafferty (Richard Martin) sense that there's foul play afoot and embark on an investigation.

Billy Carson and Fuzzy Jones have just collected a reward and Fuzzy indulges in a dream of getting away from the hectic life he has been leading and wants to settle down. They arrive in Red Rock just as the newspaper is being sold at foreclosure and, despite the attempts by Lafe Barlow to intimidate him from bidding. Fuzzy finds himself the owner of a newspaper. Fuzzy meets Edith Martin, daughter of the former owner, and unthinkingly commits himself to carrying on her father's policy of bringing a telegraph line to Red Rock. For reason of his own, Barlow is against this and has his henchmen wage a campaign of terror against the ranchers and citizens. Before long, Billy who had been lazily indifferent to everything connected to Fuzzy and his newspaper, decides to take a hand on the side of the good guys.

It is now an accepted fact that the best of Johnny Mack Brown's Universal westerns were directed by the talented Joseph H. Lewis. Boss of Hangtown Mesa may not be in the same league as the Brown-Lewis classic Arizona Cyclone, but it comes awfully close. This time around, hero Steve Collins (Brown) comes to the aid of Betty Wilkins (Helen Deverell), who has taken over the telegraph-line business established by her uncle John (Henry Hall). The latter was murdered by outlaws who don't cotton to having the territory linked up electronically with the rest of the world.
A telegraph postal union worker has no luck when asks a pretty co-worker to marry him. She says he'd have to be a magician to get her to say yes. Things are complicated when, as a favor to a stuttering acquaintance, he takes his overweight girlfriend to the movies to propose to her by proxy. Unfortunately the pretty co-worker spots him with her in the theater, so he begins to learn magic tricks.

New technologies are transforming a 19th-century watchmaking town in Switzerland. Josephine, a young factory worker, produces the unrest wheel, swinging in the heart of the mechanical watch. Exposed to new ways of organizing money, time and labor, she gets involved with the local anarchist movement.

Buckley is an unethical reporter who manipulates the news for his own benefit as much as he reports it. When he is in Paris to get a medal for being rescued from his alleged kidnappers, he finds that his boss, Stevens, at the Chicago Globe is going with his old gal Dolly. When Stevens learns that Dolly is staying with Buckley in Moscow, he fires Buckley. To get his job back, Buckley and Lefty stage a great news story about the shooting of the last Romanoff, but the plan backfires and they are now in line to be shot by the Commissar.