The Making of 'Close Encounters of the Third Kind'

The making of Roman Polanski's "Oliver Twist" as seen through the eyes of the film's child actors.

The film tells about the main stages of the history of the country's largest studio "Mosfilm", about the work of the creative team, introduces the viewer to the outstanding masters of Soviet cinematography, with such unique groups such as the Theater-Studio of Film Actors, with the workshops of the studio.

After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Behind the scenes documentary on the shooting of André Delvaux's Benvenuta in Milan and Ghent, including interviews with lead actors Fanny Ardant, Françoise Fabian and Vittorio Gassman, all equally delighted by the experience.

Directed by Marianne Chaud

TNA Slammiversary: Fade to Black is a special cinematic documentary that offers a unique, behind-the-scenes look at the July 20, 2025, Slammiversary pay-per-view event held at UBS Arena in New York. Described as a "first-of-its-kind, cinematic mic’d-up experience that fuses the rawness of live sports with the emotion and spectacle of professional wrestling," the feature captures the unscripted moments of the event, following wrestlers from the locker room to the gorilla position, showcasing real-time banter, focus, adrenaline, and natural hype. The narration emphasizes the emotional weight of the event, stating, “There’s a moment right after the final bell rings when the noise dies and the silence sets in. No entrance music, just the truth, your heartbeat, your regrets, and the weight of what you gave and what you lost”

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.