North Korea: Life Inside the Secret State

The real crisis in North Korea is not about its reclusive leaders or its nuclear weapons. It is about 24 million people living under the most ruthless system of political oppression ever assembled by humankind. The North Korean people have suffered through crippling poverty, humanitarian disasters, chronic food shortages, and a denial of even the most basic freedoms. This documentary offers a comprehensive overview of the North Korean people's crisis, feature interviews with North Korean refugees who have escaped, their journey to freedom, expert analysis, and insight into some of the grassroots changes happening inside the country.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.

The assassination of Kim Jong-nam occurred on 13 February 2017 when two women attacked him with VX nerve agent, a lethal chemical weapon, at Kuala Lumpur International Airport in Malaysia. Kim was the eldest son of deceased North Korean leader Kim Jong-il and the half-brother of current North Korean leader Kim Jong-un. North Korean diplomats objected to any form of autopsy being conducted on Kim's body, but the autopsy proceeded as the they did not submit a formal protest. Following Malaysia's refusal to release the body immediately, North Korea's ambassador Kang Chol accused Malaysia of collaborating with the country's enemies over the assassination of Kim Jong-nam.

True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea?

Pyongyang, a city full of happy people and flowers. A city of factories with smiling seamstresses and welders of locomotives. A city of power plants the illuminate department stores offering the fruits of the labour of its workers and peasants. Everybody spends their free time in sports palaces with synchronized swimming and white doves, or in the palace of cultures, where young pioneers play the accordion. Old men and women go on walks and young lovers rent boats by the river, above which arches a rainbow, a symbol of happiness and contentment.

Join National Geographic's Lisa Ling as she captures a rare look inside North Korea - something few Americans have ever been able to do. Posing as an undercover medical coordinator and closely guarded throughout her trip, Lisa moves inside the most isolated nation in the world, encountering a society completely dominated by government and dictatorship. Glimpse life inside North Korea as you've never seen before with personal accounts and powerful footage. Witness first-hand efforts by humanitarians and the challenges they face from the rogue regime.

If the cityscapes and patriotic anthems of this film seem a far cry from the bleak landscape of Seoul Train, that's no accident. Dutch filmmaker Pieter Fleury, with the full permission and cooperation of the North Korean government, created this propaganda film that gives us a glimpse of a day in the life of one of the world's most enigmatic societies. A Day in the Life, largely dictated by the North Korean film bureau, follows a typical North Korean family through their daily duties, largely dedicated to the pride in the North Korean nation of comrades and the glory of General Kim Jong Il. The film is meant to extol the success of modern North Korea. But does it? With straight footage and a total absence of narration, viewers may interpret Fleury's film in a slightly different manner than intended

Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.

"Getting into North Korea was one of the hardest and weirdest processes VBS has ever dealt with. They finally said, “OK, OK, you can come. But only as tourists.” At the airport, the North Korean consulate brought us to a restaurant and these women came out and started singing North Korean nationalist songs. We were thinking, “Look, we were just on a plane for 20 hours. Can we just go to bed?” but this guy with our group who was from the LA Times told us, “Everyone in here besides us is secret police. If you don’t act excited then you’re not going to get your visa. So we got drunk and jumped up onstage and sang songs with the girls. The next day we got our visas. A lot of people we had gone with didn’t get theirs. That was our first hint at just what a freaky, freaky trip we were embarking on…" -VICE Founder Shane Smith

Defilada was made on the occasion of the 40th anniversary celebrations of state's founding in North Korea, which the regime intended to use to eclipse the 1988 Summer Olympics taking place that year in Seoul, South Korea. The North Korean regime invited filmmakers from countries then considered friendly (read: Communist), including People's Republic of Poland, which sent a team under Andrzej Fidyk. The documentary is primarily composed of declarative statements, as well as texts of North Korean newspapers and books. There was no author's commentary. Fidyk commented that he and his team were likely “the most disciplined” foreign team of filmmakers in North Korea, as they did not trouble the regime by looking under the surface - they were content with what they were given and asked to do. (Wikipedia)