The Smuggler and Her Charges

In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.

In 1945 a group of victorious American officers discover a stash of German jewels and try to fence them in New York.

Brenda’s first memories were of growing up in a loving white foster family, before she was suddenly taken away and returned to her Aboriginal family. Decades later, she feels disconnected from both halves of her life, so she goes searching for the foster family with whom she had lost contact. Along the way she uncovers long-buried secrets, government lies, and the possibility of deeper connections to family and culture.

The background to, events of and consequences of the Battle of Mers-El-Kebir on 3 July 1940. In that battle, Royal Navy ships fired on the French Fleet in order to prevent it from falling into German hands. A French battleship was sunk and several other ships damaged. Nearly 1,300 French sailors were killed.

In postwar Germany, an American psychiatrist must determine whether Nazi prisoners are fit to go on trial for war crimes, and finds himself in a complex battle of intellect and ethics with Hermann Göring, Hitler's right-hand man.

In Japanese-occupied Hong Kong, a school teacher and her would-be-fiancé link up with Chinese guerrilla fighters, forging their own path to freedom.

A look at the recently discovered fascinating behind the scenes footage shot by the legendary Hollywood director John Ford at Pearl Harbor in 1942 while filming his popular World War II documentaries December 7th and The Battle of Midway.

The first feature film to represent the Holocaust from a Jewish perspective. Shot on location at Landsberg, the largest DP camp in U.S.-occupied Germany, and mixing neorealist and expressionist styles, the film follows a Polish Jew and his family from pre-war Warsaw through Auschwitz and the DP camps.

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.