O Pasquim: A Subversão do Humor

During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth "to bring to light the places where lots of babies saw the light for the first time"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

The long fight over the land, which demolished the wall between master and serf, continues to divide Peru to this day. But the 1969 agrarian reform marked a before and after in the country's story - a profound change that Peruvian cinema reflected and encapsulated, creating great imagination we continue to discover today. 50 years after the social experiments of the revolution, we ask ourselves whether Peru really messed up or not with Juan Velasco Alvarado.

Four siblings, whose father disappeared during Brazilian Military Dictatorship, report their childhood during the regime.

Everything you've ever wanted to know about Saddam Hussein (but were afraid to ask).

This short documentary explores how the Ilustrada section of the Folha de S. Paulo newspaper had to fight back against censorship from the military dictatorship in Brazil after Lourenço Diaféria, one of its columnists, published an article criticising the patron of the Brazilian army, Duque de Caxias.

In 1981, seven Libyan exiles formed the core opposition group to Colonel Muammar Gaddafi. Thirty years later, they are back to their country only to inherit the mess he left. The film is an intricate blend of rare first-hand accounts, propaganda archival material turned on its head, evocative cinematography and an untold history of a country.

At the end of the last civil-military dictatorship, a camouflage operation took place in the Information Service, an office of the former Rosario Police Headquarters that operated as a clandestine detention center in the heart of the city. This architectural intervention, not recorded in the plans, obscures the survivors' accounts and hides the traces of crimes against humanity. Drawing on images, previously unpublished archives, and survivor testimonies, the documentary explores the scars of political repression and highlights the importance of preserving memorial spaces to ensure the transmission of fundamental events in our contemporary history.

Faced with a lack of prosecution of those accused of crimes against humanity committed during Argentina’s military dictatorship, family members and descendants of the country’s estimated 30,000 disappeared took action. In the mid-1990s, they began gathering outside of accused perpetrators’ homes and workplaces to publicly shame them and raise awareness about the government’s systematic and brutal targeting of its people — and how it had gone unpunished. The human rights group HIJOS (Sons and Daughters for Identity and Justice Against Forgetfulness and Silence) led and labeled this direct-action style of protest “escrache,” or exposure.