Oh, Hello on Broadway

Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".

When the Muppets graduate from Danhurst College, they take their song-filled senior revue to New York City, only to learn that it isn't easy to find a producer who's willing to back a show starring a frog and a pig. Of course, Kermit the Frog and Miss Piggy won't take no for an answer, launching a search for someone to take them to Broadway.

“Patalliro! The Stage” is based on the popular manga series “Patalliro!” by Mineo Maya, which has been running since 1978. “Patalliro!” follows the adventures and mischiefs of Patalliro du Malyner VIII (knowns as Patalliro), who is the king of Malynera. His silly gag “Cock Robin Ondo” is well known from the ending song of the anime adaptation. Patalliro is played by Kato Ryo, one of the most influential and eccentric actors of his generation. The full cast except for Ryo was replaced for the latest show, providing a fresh take on the wacky world of “Patalliro!”. The story is based on “Misty London Airport”, one of the most iconic episodes of the original manga.

SpongeBob and all of Bikini Bottom face catastrophe—until a most unexpected hero rises to take center stage.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

The Marx Brothers help young Broadway hopefuls when they get mixed up with gangsters due to a tin of sardines containing Romanoff diamonds.

Based on a play written by Peter Fristrup in 1887.

A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

Spanky and Alfalfa want to do a show based on the "Aladdin's Lamp" story with Darla in the cast, but Darla doesn't want to participate.

A wealthy Turk intends to establish an opera house in Smyrna with the help of opera lover Count Čipera. Opera singers are applying for the engagement, and the female singers are also fighting fiercely for the position of prima donna. The Turk has a weakness for women, but will he be the one to make the final decision? And how will this bold project turn out? A recording of a theater performance by Prague's Činoherní klub.

A psychological study of scenes from married and unmarried life, verging on the grotesque. A play about mutual attraction and insurmountable resistance between the sexes, about infidelity, emotional exaltation and hostile aridity, false self-images and ambitions, and wounded vanity. TV recording of a theatrical performance by Prague's Činoherní klub.