The Three Amateurs

Three brothers and their seven children, dive into a land unknown for them. Only able to find interesting and not so interesting landscapes, the Velis family creates a fictional character, Mariano, dedicated to document their improvised situations in order to have a good time.

Concert and Interview with Astor Piazzolla and his sextet by the BBC-Bristol.

Jorge is a taxi driver from Córdoba clinging to rhetoric of order, meritocracy, and anger. His only friend is López, his dead rabbit—confidant and spiritual compass. At night, Jorge and López cross paths with passengers who embody various social stereotypes, distorted mirrors of a society on edge. Amid absurd conversations and increasingly extreme situations, his routine shatters when the young man who humiliated him hours earlier gets into the cab. Caught between anger, delirium, and a yearning for vindication, Jorge must decide whether to act to reclaim his wounded dignity or accept becoming the object of ridicule he feels the world has imposed on him.

When a Tango dancer asks a Rabbi to enter a dance competition, there’s one big problem—due to his Orthodox beliefs, he’s not allowed to touch her! But the prize money would save his school from bankruptcy, so they develop a plan to enter the competition without sacrificing his faith, and the bonds of family and community are tested one dazzling dance step at a time in this lighthearted fable.

Oscar and Peter land a career-making opportunity when a Chicago tycoon chooses them to compete for the design of a cultural center. The tycoon mistakenly believes that Oscar is gay and has him spy on his mistress Amy. Oscar goes along with it and ends up falling in love with Amy.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

A provincial man comes to the big city and finds true love.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.

An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.