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In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.

Deep in the Bolivian Amazon, infant spider monkeys Ñoqui, Cesar, and Ness have been rescued from hunters and the illegal pet trade. But returning to the jungle without their mothers is no easy task. Arrested Autonomy follows their uncertain journey as they attempt to reclaim their place in the wild, questioning whether a second chance at true freedom is possible when that freedom must be brokered by humans.
Whether political, sociological or social questions. In one's own life and that of others. Living, eating, loving. In art and philosophy. Everywhere man asks the question of "naturalness". How do I behave naturally? Do I have to behave naturally? What is natural? What is nature? This question occupies the most diverse people, have the most varied traits and characteristics. Man and woman as natural order or structures created by man? Meat consumption as natural predator behavior or factory farming? Nature-related living and urban planning? The topic covers all questions of human life. In this short film, this question should be discussed abstractly. Not by specific subject-relatedness, but by the juxtaposition of subjective ideas about the abstract nature of nature from the perspective of a Western white man.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.