Swinging Blossom

Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

Sam and Tusker, partners of 20 years, are traveling across England in their old RV visiting friends, family and places from their past. Since Tusker was diagnosed with early-onset dementia two years ago, their time together is the most important thing they have. As the trip progresses, however, their ideas for the future clash, secrets come out, and their love for each other is tested as never before. Ultimately, they must confront the question of what it means to love one another in the face of Tusker’s illness.

The fading love of two men, remembered. A relationship once vivid, now dissipating into a fog of partial remembrance; the memories of heartbreak and loss that bend and change as the years go by.

When an old flame passes through town, Julian is confronted by the lingering memory of lost love. In an attempt to decipher nostalgia from his present feelings, Julian opens closed doors to explore new possibilities.

Abandoned after coming out, Shun befriends Mio just before he has to move. Years later, Mio returns with a confession. How will Shun feel?

A night in the woods, and its aftermath, helps Otter with a major life decision. He's a high school senior, hanging out with Darby - the local alpha male - and Darby's girlfriend Amber. Their public displays of affection irritate Otter.

Carter Page III, a middle-aged gay man in Washington, D. C., is a "walker", a single man who escorts other men's wives to social events so the husbands do not have to. One of the women he escorts, Lynn Lockner, is the wife of a United States senator and is carrying on an affair with a lobbyist. When she finds the lobbyist murdered, she embroils Carter in an investigation that leads to the highest levels of the federal government.

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.

A love story between 3 people who are named as Luc, Laurence, and Liz (the 3 L's). Luc is a young Chinese guy working in a foreign company in Beijing, who is secretly in love with his foreign boss Laurence. But later he finds that Laurence is very close to a girl Liz. Just when he decides to move on suddenly things change. Where is love going to lead these three people? The movie tells you in three chapters from each of three people’s angles to unveil the truth beneath love.

A couple of teenagers start playing truth or dare at a party.