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Superfan David Whiteley celebrates the unsung British heroes behind the first film in the Star Wars’ franchise, 1977’s eponymously titled Star Wars. The Star Wars saga ends with the release of The Rise of Skywalker in December 2019. This documentary celebrates where it all began. It includes previously unheard stories from the people who made one of the most successful movies of all time, with additional interviews and previously unseen behind-the-scenes footage. The presenter, Star Wars superfan David Whiteley, who has his own connection to the original film (he was born on May the 4th), tracks down the often modest British talent who brought the galaxy to life. David explores the contribution of the London Symphony Orchestra and meets Ann Skinner, who was in charge of continuity. As well as seeing her original stills from the set, Ann reveals how she helped Sir Alec Guinness with one of the most famous speeches in Star Wars.
The order comes in the summer of 1941 from Propaganda Minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is retraced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards – that is the plan. Only in 1943, the first production is completed: “Armer Hansi”, a 17-minute-long colour movie, realized with the effortful multiplane technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, live action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the Third Reich.
This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.
