Documentary
Explorations in 21st Century American Architecture Series: Ray Kappe has long been a cult figure in the architectural scene in and around Los Angeles. In 1972, he founded the influential, avant garde Southern California Institute of Architecture (SCI-ARC), where many of the…

Self
Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

One week in the extraordinary-ordinary life of Mr. Moriyama, a Japanese art, architecture and music enlighted amateur who lives in one of the most famous contemporary Japanese architecture, the Moriyama house, built in Tokyo in 2005 by Pritzker-prize winner Ryue Nishizawa (SANAA). Introduced in the intimacy of this experimental microcosm which redefines completely the common sense of domestic life, Ila Bêka recounts in a very spontaneous and personal way the unique personality of the owner: a urban hermit living in a small archipelago of peace and contemplation in the heart of Tokyo. From noise music to experimental movies, the film let us enter into the ramification of the Mr. Moriyama's free spirit. Moriyama-San, the first film about noise music, acrobatic reading, silent movies, fireworks and Japanese architecture!

Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.

Documentary about Queen Elizabeth Square, Sir Basil Spence's block of Brutalist style flats built to replace the Gorbal's tenements in Glasgow during the 1960s. His vision was based on architect Le Corbusier's ideas and inspired him to transform the Gorbals into a Modernist Utopia. The film is about the life and times of one building told by some of the people involved in its history. The block was dynamited in 1993 amidst controversy and the death of a spectator. It is mentioned in Pevsner's Notable Buildings of Britain. This film was shown on BBC Scotland's Ex-S strand in 1993. Produced by May Miller and directed by Conrad Blakemore. This film is posted for educational and research purposes only and is copyright of BBC Scotland. Archive material courtesy of the Scottish Film Archive and the film's contributors.

A homage to the social housing architecture that is so atypical of Hong Kong - especially the Kwai Shing West Estate. About half of the population lives in such building complexes, where one experiences a strong sense of loneliness. The neighborhoods are the scene of modern living conditions, but also of social protests, which have been punishable by life imprisonment in Hong Kong since 2020 due to a new law.