
Atsuko Sakuraba
Haruka Ichijo
In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder.…

Haruka Ichijo

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Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.

After Shogo Ogami’s death in Hiroshima, Detective Shuichi Hioka successfully implemented Shogo Ogami’s plan, which was to control the yakuza to prevent further gang wars and save innocent people from getting harmed. Shuichi Hioka manages the criminal organizations, but, due to one evil person who gets released from prison, the situation drastically changes.

Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

It is the Taisho era in Japan. A man has quit the Yakuza after five years and returned to Shikoku in order to begin his life anew as a ferryman. His boss, however, became ill and the boat is taken due to unpaid debts to the local thugs. His new life has not begun well and he is determined to rebuild the shattered business. The Yakuza, however, have added the ferry business to the rest of their portfolio of local concerns.

Two lone wolf yakuza (Hideki Takahashi and Kunie Tanaka) rob a gambling den, then split up when pursued by the angry gang. They eventually meet again at Tanaka's mother's rural farmhouse. By then, one-eyed Kobayashi has wrangled his way into the scenario, intending to get a split of the proceeds (since he had helped them get away). Although there is some dissension amongst the three, they eventually close ranks to fend off their stubborn, relentless pursuers. Unhappily, Tanaka’s mother (Chieko Naniwa) is killed in the process. There are also love interests (Yoshiko Machida and Kayo Matsuo) and some humor along the way. An admirably different approach to the formulaic ninkyo yakuza programmer, filmed largely in sweltering summer countryside locations.

Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.

A touching action film about a young yakuza who becomes infected with evil because he has the ability to easily decipher the mechanism of a safe. After being released from prison, he hopes to be rehabilitated thanks to the love of his family and risks his life to fight the evil that stands in his way.

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