The Power Behind the Nation

Featuring Douglas Fairbanks Jr. and Diana Vreeland, La Belle Epoque evokes "the beautiful era" of 1890-1914, a time in which the wealthy upper classes of the Western world gave themselves over to a life of elegance and taste-making, their eyes closed to the increasing social and political turmoil fermenting beneath the surface of polite society. The program uses period motion pictures, photographs, and sound recordings, as well as the arts and fashions of the period to supplement the spoken memories of the participating interviewees who actually lived... La Belle Epoque.

A look at contemporary Paris through the lens of theories and ideologies of the past two centuries, with a particular focus on the utopian socialist ideas of Charles Fourier.

The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.

The Black Panther star uncovers the astounding true story of the Agoji, Benin’s female army – or as Europeans labeled them, the 'Amazons – then finds the last warrior left alive.

Eminent classical historian Robin Lane Fox embarks on a journey in search of the origins of the Greek myths. He firmly believes that these fantastical stories lie at the root of western culture, and yet little is known about where the myths of the Greek gods came from, and how they grew. Now, after 35 years of travelling, excavation and interpretation, he is confident he has uncovered answers.

Mountain men Joseph R Walker was probably the first non-Indian to see Yosemite, in 1833, but not until the California militia entered the valley rounding up the Ahwahneechee Indians was the region discovered. In June, 1864, President Abraham Lincoln signed the Yosemite Grant, making it a California State Park. It became famous through the writings of Horace Greeley and the efforts of John Muir. Cinematographer Dennis Burkhart captures in this video the magnificence of Yosemite Valley (El Capitan, Bridalveil Fall, Half Dome), the High Sierra (John Muir Trail, Tuolumne Meadows, Tioga Pass) and the Mariposa Grove of giant sequoias. The camera catches the wildlife that roams the 1,1170 square miles of Yosemite, i.e. the mule deer, mountain lion, black bear, coyotes, bighorn sheep, and the rare peregrine falcon. This video reveals why 3.8 million visitors come each year and stand before awe-inspiring panoramas they will never forget.

Discover the "character" of one of Missouri's oldest tie and lumber operations through this archival black-and-white film that documents one of the last railroad tie drives on the Black River made by the T.J. Moss Tie Company of St. Louis in the 1920s. Thanks to release of the film by the Kerr-McGee Chemical Corporation, the rare footage in "Stamp of Character" takes us through the entire process of making railroad ties, at a time when forests covered almost two-thirds of the state. The original silent motion picture was shown in movie theaters as an advertisement by the T.J. Moss Tie Company. Using digitally edited narration and realistic sound effects, this video makes the past live again.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.