Documentary
A collection of twenty short films, averaging 2-3 minutes, by various filmmakers depicting American life, intended to be shown in a continuous loop at the American Pavilion of the 1958 Brussels World’s Fair. Some releases of the film include ten extra minutes of rough cuts.
No cast information available.
This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.
Uses first-person accounts from Missourians who went to the Fair in 1904, interviews with historians, archival motion pictures, and photographs to situate the St. Louis Fair in the social, political, and cultural context of American society in 1904. Covers American civilization at the turn of the century; the representation of history; authenticity; modernity; dress and body language; oral history and childhood memories; world fairs as experiences; and receiving information through visual symbols, words, and exhibits.
Made for screening at the U.S. Pavilion at the 1974 World's Fair in Spokane Washington, USA, which had a Native-American environmental theme, MAN BELONGS TO THE EARTH depicts the history of air, water, and earth pollution, and how environmentalists are trying to solve these problems using various technologies.
An intimate and unique look at the 1904 World's Fair in St. Louis told in the words of those who were there to experience it firsthand. With a wide range of events and attractions that included the first ever Olympic games on American soil, the first Ferris wheel, and a special appearance by the legendary Geronimo, this remarkable and extravagant fair would mark the beginning to what President Theodore Roosevelt would refer to as "the American century."
Make No Little Plans: Daniel Burnham and the American City reveals the fascinating life and complex legacy of architect and city planner Daniel Hudson Burnham. In the midst of the late nineteenth century urban disorder, Burnham offered a powerful vision of what a civilized American city could look like, one that provided a compelling framework for Americans to make sense of the world around them. A timely, intriguing story in the American experience, Make No Little Plans explores Burnham's impact on the development of the American city as debate continues today about what urban planning means in a democratic society.
Explore the world of 1893 through a cinematic visit to Chicago's Columbian Exposition. Many of the world's greatest achievements in art, architecture, science, technology and culture are unveiled there. The grounds were designed by Frederick Law Olmsted, famous for his design of New York City's Central Park, and constructed under the supervision of Daniel Burnham. The Fair was an engineering marvel. On opening day, President Grover Cleveland depressed a golden telegraph key which sent the first courses of electricity throughout the Fair powering fountains, machines, electric railways and thousands of lights. It was the first use of electricity on such a massive scale. Nearly 28 million visit the "White City," which inspires future innovators like Henry Ford, Walt Disney and Frank Lloyd Wright, and debuts the Ferris Wheel and Cracker Jack.
In 1915-16, San Diego's Balboa Park was the scene of an exposition to mark completion of the Panama Canal. This film takes us through the exposition: from the Cabrillo bridge and a panoramic view of the site, to the facades of the California Building, Horticultural Building, Panama Canal Exhibit, and the reproduction of the locks at Gatuna. We see tourists on the isthmus and a crowd outside the Panama Film Company's exhibit of how movies are made. We watch the feeding of fish at the laguna, and we end at the Plaza de Panama where toddlers are surrounded by pigeons. Fatty Arbuckle makes a brief appearance outside the Panama Film exhibit. Titles give us each structure's cost.
In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
