Sing! Inge, Sing!

"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.

Taken in by the musical world as a young orphan, Rick Martin grows up with a desire to play pure jazz instead of the commercial gigs he lands, whilst also coping with the problems caused by his tempestuous marriage to an aloof heiress.

Denver’s iconic and Grammy Award-winning musicians reveal the secrets of their success and longevity in the music business while warning the young lions to whom they pass the torch to stay relevant in a marketplace both treacherous and brutal. The majestic Rocky Mountains tower over a bustling metropolis filled with steamy and romantic nightclubs where jazz flourishes on stage. JazzTown features never seen before live concert footage on historic stages that have now crumbled due to economic stresses of the Covid Pandemic. ~ Dianne Reeves, 5-time Grammy Award winner for Best Jazz Vocalist ~ US Senator John Hickenlooper (former jazz club owner) ~ Ron Miles (Colorado Music Hall of Fame, Joshua Redman, Bill Frisell, Ginger Baker) ~ Charlie Hunter (Snarky Puppy, Christian McBride, Stanton Moore) ~ Art Lande (Mark Isham, Gary Peacock) ~ Ayo Awosika (Session Singer on Soundtracks to: Wakanda Forever, Nope, Dune, The Lion King ... tours with Miley Cyrus,) and many more.

Nina Simone in concert at the International Jazz Festival City of Pompeii in 1983

Chronicles the extraordinary rise of Haitian-American jazz singer Cécile McLorin Salvant, anchored by a pristine recording of a live concert.

A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.

A struggling young man secretly plays a magical trumpet that transports him from his desolate world into a colorful "bliss." When his younger brother discovers his secret, their relationship is put in jeopardy.

A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.

The hits come fast and furious in this 2001 performance by Antoine "Fats" Domino at the Jazz and Heritage Festival in his hometown of New Orleans. Well, maybe not that fast; Fats's style was never what you'd call exactly frenetic, and he was well into his seventies at the time of this show. But there are a whole lot of hits--"I'm Walkin'," "Blueberry Hill," "Walking to New Orleans," "My Blue Heaven," etc.--and they're just as irresistible as ever, with Domino and band (including a full horn section) in top form as they deliver their brew of R&B, rock & roll, and country music with its distinctively rollicking New Orleans vibe. Aside from the 60-minute concert, the DVD features interviews with Fats, Allen Toussaint (himself a legendary New Orleans musician and producer), author/music journalist Mikal Gilmore, and others, plus a minute or two of Domino and Toussaint jamming at the piano

A meditation on what it means to maintain continuity with the past — told through the kaleidoscopic journey of a young drummer who must learn how to guide a multi-generational band into the future after being named their new bandleader.

Shot in New York, Cape Town, St Helena and the Atlantic Ocean, Sathima's Windsong, is a lyrical portrait of South African jazz singer, Sathima Bea Benjamin. In her Chelsea Hotel apartment, home for over thirty years, she patches together her journeys, from apartheid's 'pattern of brokenness', to a chance meeting and recording with Duke Ellington in Paris, to making a life in New York. The narrative of her journeys are inter-woven with her music and the musings of folks who know her work. Like her haunting song, Windsong, the film is a meditation on displacement, exile and belonging.