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We all share the same kind of brain yet everybody has a different view of the world around us. As a very intriguing example, Carlotta vividly explains how a world without faces does look like. She suffers from the miswiring of a tiny brain region that makes it impossible for her to see and remember faces as a complete construct, called prosopagnosia or face blindness.
This documentary takes a piercing investigative look at the economic, political and ecological implications of the worldwide disappearance of the honeybee. The film examines our current agricultural landscape and celebrates the ancient and sacred connection between man and the honeybee. The story highlights the positive changes that have resulted due to the tragic phenomenon known as "Colony Collapse Disorder." To empower the audience, the documentary provides viewers with tangible solutions they can apply to their everyday lives. Vanishing of the Bees unfolds as a dramatic tale of science and mystery, illuminating this extraordinary crisis and its greater meaning about the relationship between humankind and Mother Earth. The bees have a message - but will we listen?
In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.
Three decades after German-American pilot Dieter Dengler was shot down over Laos, he returns to the places where he was held prisoner during the early years of the Vietnam War. Accompanied by director Werner Herzog, Dengler describes in unusually candid detail his captivity, the friendships he made, and his daring escape. Not willing to stop there, Herzog even persuades his subject to re-enact certain tortures, with the help of some willing local villagers.
