Himself (archive footage)
Fresh out of a long term, serious breakup, Lane Woods chooses to work through (read as: distract himself from) his feelings by making a documentary about his attempts to get back out there and find a new love. With the help of his younger brother, Colin, Lane films himself as he goes on countless dates, hoping to catch those first sparks of love on film, instead he ends up documenting something much closer to reality.
A new father takes his wife and daughter on a journey to his mother’s birthplace in Scotland. It is 1976 – the year in which NASA’s Viking 1 and 2 space probes land on the surface of Mars. They send images of an only vaguely explored area from a great distance, enabling a first look into the history of an alien planet. Like the NASA scientists, the small family are hoping that their journey will give them insights into the past, an understanding of the present situation and perhaps even the chance to anticipate the future.
In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Elvis Presley & Pat Boone were two of the hottest forces on the early rock ‘n’ roll music scene in the 1950’s. In this toe-tapping documentary, the good-nature chart-topping rivalry between the duo is explored through rare footage and newsreels. Interviews include Dick Clark, Tom Jones, Kenny Rogers, Glen Campbell, Phyllis McGuire, Bill Medley, Arlene Dahl, Joe Esposito, Shirley Jones and others.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
