Hale County This Morning, This Evening

Rafael - the minister of sports of an unrecognized country, and Natasha - a Russian opera singer, try living together in Abkhazia - a war-torn future-less country. Observing their difficult relations, we see life in a place marked by war and nationalism. The film portrays trapped people dreaming of peace, normality and happiness.

Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.

For three college students, facing graduation is a rollercoaster of anxiety and anticipation. Follow 3 unique perspectives as they voice their outlook on the future, and what life has in store for them.

In 2007 Mobile, Alabama, Mardi Gras is celebrated... and complicated. Following a cast of characters, parades, and parties across an enduring color line, we see that beneath the surface of pageantry lies something else altogether.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

Over nearly 20 years, filmmaker Carlos Nader lived with the Paraná truck Nilson de Paula and his family. From the beginning, the project was to conduct a documentary whose intentions become viscerally, a process also captured by the camera. During this period, becomes the lives of Nilson, who gets sick, his wife, Jane, and his only daughter, Liciane, as well as the director, who happens to be part of this circle also affectively. Major issues such as the meaning of life, are incorporated into the very fabric of the film, which oppose excerpts from the classic "The Word" (Ordet), Carl Dreyer, highlighting aesthetic and existential connections.

In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.

The Colorado River is the foundation of the American Southwest. But the confluence of a once-in-a-millennium drought, a hundred-year-old mistake, and a generations-old conflict have put the river-–and the civilization built atop it––in crisis, and at a crossroads. As the southwest continues to grow, and the river continues to shrink, time is running out to solve the problem of the Colorado.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

An in-depth and provocative look at the 1992 Los Angeles riots exploring the roots of civil unrest in California and the relationship between African Americans and LAPD.

Milana, Sephora, and Mario are between seventeen and twenty-six years old. They grew up in modest, stigmatized rural Manouche families. Unlike their parents, they have degrees and work as employees. They have dreams to fulfill.

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.