Drama
Shooting of a picture: to those, familiar with only from the screen, it is a entertainment. So, in a quiet Sofia street, a shooting crew starts their work. Bypassing begin to throng, curious people are looking out of the windows of the surrounding buildings. A scene is being…


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XVII century, Bulgaria is under Ottoman rule. Four men break into the house of the shepherd Karaivan, raping and killing his wife in full view of their child, Maria. To protect his daughter and to enact revenge, he raises Maria as a son, teaching her to fight and kill. But as Maria grows up, she longs for a different life.

Two estranged brothers are brought together when they have opposite roles in a racist beating: while Georgi who's recently joined a neo-nazi group participates in the violence, Hristo witnesses and rescues a Turkish family. Only by reuniting will the two brothers be able to assess what they really want from life.

Two best friends get involved into the domination games of two mafia bosses in post-communist Bulgaria. Clutching like crayfish to the baits of everyday life, they determine their fates: without the other one knowing, they are manipulated to take seemingly harmless tasks. Parallel to the criminal line in the story, our attention is drawn toward the inner problems of the characters, toward the links that exist between everything and everyone. The two friends try fruitlessly to establish a dialogue. A dialogue about relationships, about death, about responsibilities, about the essence…

Evtim Manasiev is an outstanding engineer. At the office, he has made a name for himself as a "whole-hogger boss". At home, his motto is: "Love me, love my dog". His children rebel against his acting at variance with his own principles. Tired and exasperated, Manasiev realizes that he has been wrong in some of his actions. On a holiday, he runs into Mihaylova, a subordinate of his whom he has recently fired undeservedly. The meeting urges him to reconsider and to review painfully all his previous life and principles. —Georgi Djulgerov

It's 1980. Malin is fatherless, angry, and in trouble. At 20, he's spent a year in jail for assaulting a lover of Lily, his mother. In her desk he finds a soldier's photograph and assumes he's found his father. He confronts the man, now a teacher, and gets nowhere. At home again, he mocks his mother. Finally, she tells him her grim story, from the year before his birth. We see a people's court, where Lily's parents seek justice for their grandchild to be. We follow Lily to a prison camp, to the city where she's told to inform on the only person who's been kind, to an asylum, and finally to her current poverty and loneliness. How will Malin respond to these revelations?
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