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A nine-year-old boy gets a plastic Indian and a cupboard for his birthday and finds himself involved in adventure when the Indian comes to life and befriends him.

Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.

Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.

When the gentle woodcarver Geppetto builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio, is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish.

Zeb finds a doll and a ring in a garbage can. Then, he sees Ann going to work with her friend Babs. He thinks she looks like the doll. When he gets home, he caresses the doll... Ann feels it! When Zeb finds out about Ann's fiance Tom, he really gets mad, burns the doll, and beats it up, which makes Ann think she's losing her mind.

Amidst the chilly white winter, bright-eyed Alma, wanders through Barcelona’s cobblestone streets. Suddenly, she spots an unassuming toy shop. Her gaze is drawn to a nearly identical figure staring back at her from the storefront window. As if by magic, the shop’s door swings open. But to her bewilderment, her elusive twin is nowhere to be found.

Influenced by a sinister Cricket and created by Geppetto, Pinocchio launches a violent crusade to carve himself into a real boy like his brother James, one piece at a time.

A precocious girl, her nasty parents, two punk-rock losers and a weak-kneed salesman inadvertently become the guests of two ghoulish senior citizens in their dark, haunted mansion.

A young woman finds her childhood doll at her parents' yard sale.

Alice is summoned by the White Rabbit to save Wonderland from spreading Darkness. However, she knows Alice in Wonderland is a story and that this must be a dream. And so it proves, but at the end, the now grown-up Alice sees the events of her dream begin to unfold for real.

On Christmas Eve in 1920s Vienna, a young girl named Mary and her brother are visited by their eccentric uncle Albert, who gifts a magical wooden nutcracker that comes to life and takes her to a fantasy world to fight the evil Rat King.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.