Junges Blut

An exposé of the "fake" or "wicked" Bohemian social circles, highlighting the moral consequences of their actions. The film features a "pleasure-seeking" philosophy, evidenced by the intertitle that read, "May we help ourselves to life's pleasures?"

Marie Tyree, a hotel stenographer, falls in love with Archie Small but is disillusioned when he is lured away by a wealthy widow and resolves to trap for herself a wealthy spouse. At a business convention, she makes the acquaintance of Bert Woodmansee, reputedly worth millions, and captures him after a brief courtship.

An American millionaire visiting London falls in love with a young aristocrat and elopes with her, pursued by a rival suitor.

Three trappers protect a British Colonel's daughters in the midst of the French and Indian War in this 10 episode serial based on the James Fenimore Cooper tales. Chapter titles: 1. The Warpath 2. The Secret Trail 3. The Hawk's Eyes 4. The Paleface Law 5. Ransom 6. The Betrayal 7. Rivenoak's Revenge 8. Out of the Storm 9. The Panther 10. Mingo Torture.

Brian Leonard is a millionaire whose sole occupation is the amassing of wealth. He is cold, hard, and the element of love has been almost extinguished. In this environment, his motherless, loveless daughter, Bona, grew up to womanhood.

Jim, a cowboy, comes to town with the boys of the Lazy B, and stops at the Last Chance Saloon. One of the girls of the dancehall is Madge. Hardy, owner of a distant ranch, comes to her and offers her a position as housekeeper, which proposition she spurns. Jim has a flirtation with Madge, and she interests him. Late that night, Jim, well under the influence of liquor, chances to meet her again. On the impulse of the moment he asks her to marry him.

Dr. Charles Matthews, professor of philosophy in a small New England college, is dismissed, and though heartbroken he and his daughter, Prudence, start in a prairie schooner for the west. At St. Jo, which in 1850 was the outfitting point for the great west, they meet Calliope, so named because of the vast carrying quality of his lungs. He accompanies them on their journey. On the way west, it falls to Calliope's lot to do them many little services, which, on account of the native modesty of Pru and the innate manhood of Calliope, are necessarily surreptitious.

The invalid Count de Suchet, nearing death, tells his friend, artist Henri Dutray, about the tragic events of his early life. He secretly married a dancer, and after she gave birth to a daughter, his father convinced her that she was ruining her husband's life. She gave the baby to an old couple, and then killed herself. The grieving count now worries about his daughter. Meanwhile, Jeanne, an Apache dancer in Montmartre, refuses to be sold by her brother Jacques to an old rogue. After she escapes and hides in Henri's studio, Henri, because he needs money, plots with Jacques to make the count believe that Jeanne is his daughter.

When Arthur Gilpin, a black night watchman, finds young Myrtle Gunsaulus mysteriously murdered in the basement of a factory, he is charged with the crime. The film is now believed to be lost.

Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.

Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.

A drama about the contents of a last will and testament left behind by an African-American sharecropper who was lynched after being falsely accused of the murder of a white plantation owner.