Documentary
Lost in the Crowd is a documentary film by Austrian filmmaker Susi Graf about LGBT homeless youth in New York City. The film tells the story of a group of kids focusing on how they became homeless and their attempts to survive on the streets of New York. Most of the youth say…
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This highly controversial documentary, aired as part of the CBS Reports series, ostensibly covers the growing influence of the LGBT community in San Francisco circa 1979. Critics have rebuked the program for its characterization of the sexual practices of gay men, while organizations such as the Moral Majority referenced it in campaigns against gay rights ordinances.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
Poet, rapper, playwright and recording artist Kae Tempest is one of the most viscerally exciting artists working in Britain today. They are the youngest ever recipient of the prestigious Ted Hughes prize and have been nominated for both the Brit and Mercury music awards. Tempest has always found support and respect within the queer art scenes, a place close to their heart. In July 2020, they came out as non-binary, announcing that they would publish and perform under the name Kae. This film delves deep into their creative process and gains rare, intimate insights into Kae’s life throughout a period of profound personal and artistic change.
CHASING CHASING AMY explores the transformational impact of a ‘90s rom-com on a 12 year old kid from Kansas, coming of age and contending with queer identity. For young Sav Rodgers, the Kevin Smith cult classic, CHASING AMY, became a life raft. As Rodgers examines the film and its making as a cornerstone of LGBTQ+ cinema, he finds himself at a complicated crossroads.
Each World Trade Center tower consisted of 110 floors. Each floor has a story. In this two-hour special, survivors from two of those floors, many speaking publicly for the first time, tell their stories. Focusing on one floor in the North Tower and one in the South, this film will provide a never-before-achieved intimacy with what it was really like to be inside the Twin Towers on 9/11.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
