Marquise

The story of a rebel with a cause, this dystopic art film takes place in a future where humans have become drones in a decaying post-industrial hive.

A virgin, a married woman, a career woman, and the progress is made by combining the abnormal sex of each of them. This is Rumi Tama's first work in 1983, which can be called the Japanese version of the Decameron, and is a female writer who has made a point of creating enjoyable pornographic entertainment without logic.

A comedy of errors, whose main characters are a revue star Lidia Relska and the secretary of an oil tycoon Stefan. While in Cracow, the girl passes herself off as another person, which leads to many amusing misunderstandings, and this is only the beginning of the confusion.

A college freshman joins her university's rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost.

Emma is told she has cancer and two months to live and must clean up her life before she dies, to prevent the children from falling into the hands of her abusive ex-husband.

The story of Elly Beinhorn, the first German aviator ever to fly around the world which made her a national hero in the 1930s.

Finding love in city can be hard, keeping it can be harder. Look at Me revolves around the lives of seven twenty-somethings and their complications with dating and surviving in New York City.

After cancer claims Matt Kell's life on Christmas Day 2005, his widow, Gina and two young boys are left to cope with the pain of his loss while their close church community gathers around them for support.

A group of young people residing in Alexandria suffers from the governor’s tyranny. As they try to get rid of him, they launch a campaign to ridicule him by drawing caricatures and distributing them everywhere, until someone proposes an idea that changes the course of events.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

...Her son-in-law, Ippolit Matwejewitch Worobjaninow, is a former nobleman and a dandy who is currently wasting away as a small town magistrate in charge of civil marriages. He eagerly takes up the quest to find the treasure. Meanwhile, over the years, the twelve chairs have been dispersed all over the country. However, Worobjaninow is not the only one in pursuit of the treasure. Hot on its trail are Ostap Bender, a clever and colorful conman, as well as Father Fjodor, a priest to whom the wealthy aristocrat has also confessed her secret. Thus begins a wild chase that ranges from North to South, West to East, across water and land, from the country to the city.