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A newlywed couple Ted and Lauren rent an old farm house to do a thesis on orbs and set up cameras, Strange ghostly noises and haunting occur at night. Ted sees video of Lauren, possessed and wandering the fields at night. When their roommate kills himself they decide to do a séance to see what is haunting the house. Little do they know what they hear and fear is nothing they can pray away.
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.