Impressões do Brasil

Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

A poetic short film showing a day in the 2019 protests in Santiago, Chile through documentary images.

Ren and Stimpy, on the streets starving, are captured by the dog catcher. They end up in the pound and become frightened when one of the dogs tells them of the "big sleep".

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

A sister relives her brother’s disappearance on the Colombia–Venezuela border. Her voice exposes an absence that doesn’t fade—one that cuts deep and shadows every day for her and her mother, a memory that refuses to die.

As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.

This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.

Portrait of Belgian historian, reporter and documentarian André Dartevelle.

At 34, French traveler Dimitri Poffé tested positive for Huntington's disease, a rare, hereditary, incurable disorder that slowly erodes body and mind. His father died of it; his sister has fought its symptoms for over a decade. Genetic studies predicted Dimitri's own symptoms would begin between 35 and 40 — a countdown he could not stop. Rather than wait, he got on a bicycle. Alone, he rode 18,000 kilometers from Mexico City to Ushuaia, crossing deserts, jungles, mountains and endless plains, a route as unpredictable as the disease itself. What began as defiance became something larger: a story of resilience, solidarity and the strength to reclaim life on your own terms. More than a test of physical limits, The Present is a reminder that when the future is uncertain, the present is still ours to live — one pedal stroke at a time.