
Kate Pierce

Teddy Pierce

Santa Claus

Dave Poveda

Mikey Jameson

Claire Pierce

Doug Pierce

Charlie Plummer

Wendy

Woman at Another Table

Wolfie

Mrs. Claus

Christmas Thoughts is a short promotional film produced by the Ford Motor Company in 1920. Distributed to Ford dealers, it aimed to encourage charitable initiatives such as the Goodfellows Clubs, which provided food and gifts to families in need during the holiday season. The story follows a group of businessmen who decide to deliver a festive meal and presents to a struggling family. The film concludes with heartwarming scenes of children meeting Santa Claus and receiving gifts, emphasizing generosity and community spirit.

The mayor of the small Bavarian village of Hirnkirchen runs a poorly performing inn with his two good-looking and very busy daughters. When advertising experts Bob and Bert Vogel arrive in the village, they promise the mayor that they will replace the dusty regulars with wealthy visitors from all over Germany. What follows is a turbulent vacation season which, thanks to the inn's attractive daughters, involves a lot of physical activity.

Focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful politician with a dysfunctional family. Agnes, a trans woman, works as a table dancer in a night club. The three brothers just have one thing in common: their longing for a happy life.

For two decades, Éva Janikovszky wrote her famous children's monologues, which have remained popular ever since. In some of her books, she always writes about the problems of her boy protagonist, which are related to a particular age. This is how the authors tried to fit the children's monologues "If I were an adult", "Something always happens to me" and the twin books "Be glad you're a boy" and "Be glad you're a girl" around the title work. The protagonist escapes from his life, full of commands and rules, first into the fantasy world of adulthood, then, trying to meet the challenges of going to school. Finally, he experiences the treacle of adolescence, when he is transformed from a clingy toddler into a novice, awkward adult by the conflicts of change. In Róbert Alföldi's film, children and adults play each other. The child in the adult role is very comic, and the adult relegated to the role of child is very awkward.