Deconstructing the Beatles: 1963 Yeah! Yeah! Yeah!

George Harrison was an English guitarist, singer, songwriter, and music and film producer who initially achieved international fame as the lead guitarist of the Beatles, but went on to sell millions of critically acclaimed solo records. Harrison was referred to as the quiet one of the Beatles, often in the shadow of John Lennon and Paul McCartney. However, he later acquired the respect of critics world wide and is now considered to be on the same level - if not surpassing - Lennon and McCartney as a song writer, a result of creating songs such as ‘Here Comes the Sun’ and ‘While My Guitar Gently Weeps’. Rolling Stone magazine even ranked him number 11 on their list of the "100 Greatest Guitarists of All Time," and he is a two-time Rock and Roll Hall of Fame inductee.

A documentary chronicling the Beatles' rehearsal sessions in January 1969 for their proposed "back to basics" album, "Get Back," later re-envisioned and released as "Let It Be."

The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.

Chapter 13 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1960-1964.

The full video of the presentation David Icke recently did on July 6th 2008, regarding the Big Brother state and the real reason for the encroaching Police State and stripping of our Freedoms. Excellent video, a must see for those who want to understand the truth and how the pieces fit together.

In the late '50s, John Lennon, Paul McCartney, George Harrison, and Richard Starkey were just four Liverpudlian teenagers who decided to play music. With no formal training and no ability to read or write music, they tried to emulate their American rock heroes. Within a few years, they would change music history (and the world) forever. Scott Freiman traces the birth of the Beatles from their days as the Quarrymen to their first visit to EMI Studios and the recording of “Love Me Do.”

These last major lectures by Hans Heinz Holz (1927–2011) follow his philosophical reflection from Parmenides to Karl Marx. They were recorded in October 2009 at his home in Sant’Abbondio, Switzerland.

«The Apple Years» contains several George Harrison promotional films and other video clips.

«Around the World» actually contains three sections. First is what seems to be a basically complete version of the «Around the Beatles» TV broadcast from England. Next is the promo ad for theater showings of the first U.S. Washington D.C. concert program, and then the program straight through until the abrupt cut during the next-to-last song. Third segment is the 1966 Tokyo «light suits» concert.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.