
Rubén Albarrán
self
A rock band traveling many places of the world, and on planes, buses, in hotels and dressing rooms we discover the creative process that brings them together, their friendship, frustrations and the desire of still being a rock band, the most important rock band in Mexico, on the…

self
self
self
self

self

"Kao da je bilo nekad" is a documentary about band Ekatarina Velika (1981 - 1994). The band had a profound influence on the ex-Yugoslav scene of the 1980s and ended unusually tragic five members of the creative core of the band died between 1992 and 2002 from heroin abuse. The film comprehensively presents the band career with a particular attention to individual destinies of its members while trying to pose the question - who is actually to blame for their early death.

An intimate documentary chronicling the rise of the band Counting Crows and the unrelenting pressure that followed their breakout success. Centered on frontman Adam Duritz, the film explores the emotional aftermath of the band’s landmark studio album debut “August and Everything After” and the pressures and creative process of making their follow-up album “Recovering the Satellites.”

Hailed as one of the most innovative and intimate documentaries of all time, experience Kurt Cobain like never before in the only ever fully authorized portrait of the famed music icon. Academy Award nominated filmmaker Brett Morgen expertly blends Cobain's personal archive of art, music, never seen before movies, animation and revelatory interviews from his family and closest friends.

Tom Cameron, aka the Lone Rider, and his faithful sidekick, Fuzzy Jones, flee across the Rio Grande to avoid assassination by crooked lawman Deputy Hatfield, only to have the Mexican cops accuse Cameron of being the notorious bandit El Puma. At Hatfield's behest, they are also accused of kidnapping the local mayor's son, and now the pair must prove their innocence and find a way to stop Hatfield's lawless ways.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.