
Herself
Based on declassified US military documents and archival footage, as well as testimonies from those who participated in bombings and civilian victims, director Lee Mi-young thoroughly illuminates the reality of the US Air Force’s indiscriminate bombing that resulted in numerous civilian casualties during the three-year Korean War.
The real crisis in North Korea is not about its reclusive leaders or its nuclear weapons. It is about 24 million people living under the most ruthless system of political oppression ever assembled by humankind. The North Korean people have suffered through crippling poverty, humanitarian disasters, chronic food shortages, and a denial of even the most basic freedoms. This documentary offers a comprehensive overview of the North Korean people's crisis, feature interviews with North Korean refugees who have escaped, their journey to freedom, expert analysis, and insight into some of the grassroots changes happening inside the country.
Warsaw is becoming a meeting place for people from different corners of the world, of different ages, with different life stories. What they have in common is a feeling of being lost and a dire need to run away from their solitude. The film shows an image of a contemporary city from couchsurfers’ perspective.

The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, a 70-year-old who is taking his mother to visit the German factory where she was forced to work during WWII. In this road movie which takes place between Majdanpek and Germany, the trip becomes a journey into the past, retracing memories from the war and revealing a unique relationship between an old son and his elderly mother.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.