Monelle

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

An experimental film shot on distressed 16mm celluloid that reveals various men on the beach or in swimming pools, in various states of lounging in the lazy California sun.

In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.

An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

The world shifts subtly while silent watchers already understand.

A girl who was floating freely in the water accidentally gets her skin cut by a sailboat passing by. The story is derived from personal experience, recreating the senses of women in love and the unique inner sense of time through creation.

A young artist named Toma begins to feel that his life in Belgrade begins suffocating him, so he sneaks aboard a cargo ship and travels down the Danube, eventually settling on a small island where ha can continue to work on his nature-inspired artworks in peace. Along the way, he meets a number of different characters representing various social groups that call 1950s Belgrade their home.

In SIBYL, three forces converge within a mysterious house—a space that becomes their base of transport. As they adapt to its strange rhythms, only one will ultimately escape, departing the house through a sudden and unsettling act of teleportation.

A city in permanent darkness becomes the stage for four actresses rehearsing a play. As performance and reality converge, a mysterious presence emerges from the void, turning the rehearsal into a ritual that exposes hidden revelations in the night.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.