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Dominatrix Innana Justice, based in Paris, offers a behind-the-scenes look at BDSM—and, of course, at the role of a dominatrix. Spanning several chapters and featuring an ensemble of international sex workers and performers, this dynamic portrait explores a wide range of topics and practices related to BDSM, work, and community—from sessions to activism.

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

Noted documentary filmmakers Iana Porter and Sasha Waters direct this understated and decidedly un-exploitative look at the world of sadomasochism both as therapy and as business. The film focuses on three New York dominatrices who willingly, lovingly, flog, smack, and abuse their clients: young perky Carrie, glitzy 30-something Sonja Blaze, and Teutonic matron Eva. All argue that they are providing society with an important, if quasi-sexual, service. Their clients ardently agree.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.