Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen…
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When twenty-six-year-olds Shainee Gabel and Kristin Hahn quit their Hollywood jobs, packed up a borrowed car and hit the road, it was with the deeply felt conviction that somewhere, shrouded in the din of talk shows and tabloid headlines, they'd discover the real America, alive and well in all of its regions and demographics.
At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.
A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?
The film follows Yudale, a religious youth from the settlements, as he experiences a crisis of faith. As he receives a camera from Michal, a Tel Aviv director who teaches him how to film, Yehuda documents his life on the line between the settlement Tko’a and Tel Aviv: his final conversations with his dying father—Rabbi Menachem Fruman– their joint study, and saying goodbye to him. When his father dies, Yehuda chooses to take off his kippah. During the year of mourning, he continues to document his life outside the religious world: exploring Tel Aviv, talking to Michal, and his new perspective on his family and their way of life. Elisheva, a newly observant Jew orphaned from her mother, comes into his life as a soul mate exactly at the moment when he loses hope of finding his way.
This film is about Japanese women, escape, glamour and dreams. The Takarazuka Revue is an enormously successful spectacular where the all-women cast create fantasies of erotic love and sensitive men. It is also a world for young girls desperate to do something different with their lives. In return for living a highly disciplined and reclusive existence, they will be adored and envied by many thousands of Japanese women. They will look, act and behave like young men while having no real men in their lives. Dream Girls explores the nature of sexual identity and the contradictory tensions that face young women in Japan today.
London at its best? This gorgeously photographed portrait of the capital was made by Marion Grierson, sister of the more famous John Grierson, often hailed as the father of documentary film. The film transcends the typical travelogue thanks to the photography of William Shenton and Grierson's poetic approach to editing - which prefigures modern films like the acclaimed From the Sea to the Land Beyond (2012). The film achieved international fame at the time of its original release, yet Marion Grierson is almost completely overshadowed in the history of British documentary film by her brother John.
FLY BY NIGHT follows artist Duke Riley as he embarks on his biggest project to date -- training thousands of pigeons outfitted with tiny LEDs to twirl, swoop, and glide over the East River at dusk from a decommissioned naval vessel in the Brooklyn Navy Yard. Commissioned by the public arts nonprofit Creative Time, the visually mesmerizing project received acclaim from the art world and the thousands of New Yorkers who witnessed the performances during the spring of 2016. The Village Voice awarded Riley a lifetime achievement award for "elevating the prestige of pigeons in the public consciousness." This piece follows Riley's process from conception to final performance, and ultimately like the project itself, examines urban humanity's relationship to the natural world.
Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.
