
Konrad Johannsen
o.A.

Pastor Tönning

Hauptkommissar Bossum

Generaldirektor Carl Ostro

Ingrid Brams

Holger
Hilde
o.A.

Tine

Monsignore

Dagmar

14-year-old Uwe lives in a suburban Hamburg housing estate. Besides trouble, the boy has not much to expect from his parents. To get his hands on some money, he prizes open vending machines, and to let out his frustration, he beats up "wogs". Among them is Dschingis, his nemesis. But one day, the rivals make peace. They become friends because they realize that they have the same problems and are driven by the same dreams and hopes.

When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.

Arne and his younger brother Malte run the scrapyard they inherited from their parents on the outskirts of Hamburg and live a rather disoriented existence. One day, Malte finds an abandoned baby. He immediately takes the little one to his heart and wants to look after the child until he finds the birth mother. His brother Arne doesn't like the idea at all, but Malte wants to go through with the plan and even threatens to sell his brother the scrapyard. Disgruntled, Arne finally agrees and, as Malte is fully occupied with caring for the baby, sets off on a laborious search for the raven mother.