Spears & Munsil UHD HDR Benchmark

BEST OF 4K - UHD IMPRESSIONS presents a multifarious collection of brilliant REAL 4K short films in ground-breaking Ultra High Definition Quality making the fullest use of your 4K UHD TV. Spectacular images by the pioneers of 4K cinematography provide an extraordinary audiovisual experience. You will be thrilled by riveting impressions of natural and cultural highlights from all over the world: From American National Parks and the historical sites of Rome to Victoria Harbour in Hong Kong. BEST OF 4K will set a new benchmark for your UHD TV, a visual enjoyment for home cinema enthusiasts. By utilization of the UHD stick you can experience the exceptional impressions of this film in a breathtaking REAL 4K quality. The resolution is four times superior compared to Full HD and offers a perfect visual impression.

A collection of 12 short Dolby Atmos demonstration trailers and calibrating tools disigned to turn your space into an amazing place for entertainment with sound made to fill every dimension of the room.

After a long time here now an new Demo Blu-Ray Disc from Dolby called Dolby Atmos Blu-Ray Demo Disc (Sep 2016). It’s again as named an Atmos Demonstration Disc with a lot of different Music, Movie, TV, Sports and Game Clips. The running time is around 147min. and all Tracks are encoded in Dolby True-HD 7.1 and Dolby Digital 7.1 with Atmos. A recommended Disc !

Movie Clips: Despicable Me (2:08) DD 5.1 Bourne Supremacy (2:23) DD 5.1 Bourne Ultimatum (2:52) DD 5.1 Robin Hood (1) (1:01) DD 5.1 Robin Hood (2) (0:50) DD 5.1 Music Clips: Rihanna – Don't Stop The Music (4:30) DD 5.1 Rihanna – Shut Up And Drive (4:59) DD 5.1 Quincy Jones – Ai No Corrida (5:12) DD 5.1 U2 – City Of Blinding Lights (5:43) DD 5.1 U2 – Ultraviolet (5:37) DD 5.1 Movie Clips 3D: Clash Of The Titans 3D (1:47) DD 5.1 Coraline 3D (2:02) DD 5.1 Despicable Me 3D (2:33) DD 5.1 The Polar Express 3D (1) (1:49) DD 5.1 The Polar Express 3D (2) (2:33) DD 5.1 Demo Clips 3D: The Foundling 3D (5:44) DD 5.1 The Ultimate Wave Tahiti 3D (1:08) DD 5.1

An educational film intended for children from 6 to 8 years of age. ‘We Grew A Frog, 1970’ tells the story of two schoolchildren, Lynne and Martin, who collect frog spawn from the village pond, take it to school, and there, in a tank, watch the spawn grow into frogs. The film shows in close-up the developmental stages of the spawn-to-frog process. This educational film features the pupils of Whatfield School in Suffolk. Headteacher, Gwen Dunn wrote and told the story.

O child, I know it can be bad. O child, sometimes you're be sad. O child, it can be true. O child, sometimes it can be all new. Here comes the sun.

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.

A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.

It never occurred to Syrian filmmaker Nidal Hassan and Lilibeth Rasmussen (Danish artist) that the day of their arrival to Damascus - March 16, 2011 - would be the day preceding the announcement of the uprising in Syria. Between Damascus, Sweida and Ein Al Arab, the film tries to gather details of stories of absent women and other women who would present their own testimonies about themselves and about love, life, death and sometimes about the revolution. Difficult months go by, friends disappear unwillingly in jails, and friends leave forcefully… and a longing to freedom, dignity and justice for which Syrians have conferred a lot of blood. Nidal moves around with his camera in attempt to record Syrians' daily journals subjected to pain, oppression, blood and hope. Between Damascus and Copenhagen, two filmmakers from two different cultures try to tell real stories of love, life and death in the age of the revolution.