
Adenike

Jerome
Runs Girl
Wole Baba

Amaka
Bem

Sheikh

Party Organiser
Goon

Juju Stories tackles juju in contemporary Lagos through three stories. In Love Potion, by Omonua, an unmarried woman agrees to use juju to find herself an ideal mate. In Yam, by Makama, consequences arise when a street urchin picks up seemingly random money from the roadside. In Suffer the Witch, by Obasi, love and friendship turns into obsession, when a young college woman attracts her crush's interest.

Navy SEAL Lieutenant A.K. Waters and his elite squadron of tactical specialists are forced to choose between their duty and their humanity, between following orders by ignoring the conflict that surrounds them, or finding the courage to follow their conscience and protect a group of innocent refugees. When the democratic government of Nigeria collapses and the country is taken over by a ruthless military dictator, Waters, a fiercely loyal and hardened veteran is dispatched on a routine mission to retrieve a Doctors Without Borders physician.

Andrew, a dance teacher is struggling to keep his dance studio afloat. Along comes Catherine, who enrolls for some of his classes but brings along a lot of baggage. He is prepositioned by Catherine’s husband to begin an illicit affair with her for a fee. Andrew is torn between accepting the offer or listening to his conscience that tells him not to.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Romance is in the air when the beat drops for Lagos' Detty December. Fiyin is convinced her best friend Elo is the love of her life, but is shocked when he returns home for the holidays with a secret fiancée. Gbemi is torn between her boyfriend and an old flame, while London-raised Ivie seeks a wild holiday but doesn’t count on falling for Ajani.

Many have heard of Fela Anikulapo-Kuti, the legendary artist from the 70s and 80s. But some may not know that his mother Funmilayo Ransome-Kuti was also a legend in her own right, as a women's rights activist unabashedly pushing for equality in Nigeria at a time when people weren't having those conversations. "Funmilayo Ransome-Kuti" the film emerges as a new vivid exploration of Ransome-Kuti's journey. From growing up and learning about the importance of education, to her groundbreaking step in becoming the first girl to attend Abeokuta Grammar School at just 13, going to London and then becoming emboldened to return to Nigeria to step into her role as an educator and organizer.