Gay Camp

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

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A claymation short. Mo makes an "anti-worrying" home video for her mum, to stop her from making mollycoddling phonecalls.

A young woman's first day of work in a supermarket in the Brazil countryside.

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Chris Wong takes his French-Canadian boyfriend home for Christmas, despite his traditional Chinese parents' disapproval. With the dramatics of three languages swirling around the table, Pierre tries to make a bond with Chris' parents and find the approval he wants.

Daffy Duck and Porky Pig search for a cursed treasure inside a jungle temple.

Adrian Grenier stars as Sean McAllister, a successful fashion designer who hasn't seen his family in years. He returns to his hometown for a painstaking family reunion that will take him back to his past only to rebuild his future.

In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.

The romance of a first kiss ends in a disaster.