The Green-Eyed Monster

A young zombie named Otto appears on a remote highway. He has no idea where he came from or where he is going. After hitching a ride to Berlin and nesting in an abandoned amusement park, he begins to explore the city. Soon he is discovered by underground filmmaker Medea Yarn, who begins to make a documentary about him with the support of her girlfriend, Hella Bent, and her brother Adolf, who operates the camera. Meanwhile, Medea is still trying to finish Up with Dead People, the epic political-porno-zombie movie that she has been working on for years. She convinces its star, Fritz Fritze, to allow the vulnerable Otto to stay in his guest bedroom. When Otto discovers that he has a wallet that contains information about his past, before he was dead, he begins to remember details about his ex-boyfriend, Rudolf. He arranges to meet him at the schoolyard where they met, with devastating results.

Cameron, a Police Officer with psychic abilities, is called upon to interview an accused teen in hopes of finding the whereabouts of the teen's missing gay lover. His investigation immediately spirals into sordid tales of drug abuse, sexual obsessions, and a mysterious man living on a deserted mountain road.

A straight man's life becomes disastrous - and obsessively dangerous - when his family, fiancee and friends all begin to reject him after he realizes he has fallen in love with another man.

Two years after their loved ones were murdered in obsessive rage, the survivors are dragged into a horrific psychological breakdown - and blood soaked plan for revenge.

Marc and Emma move into a new house but have no idea that their basement was a gay nightclub. To make matters worse, the club was destroyed by fire, and now the house is haunted by the ghosts of five gay clubbers.

A group of gay friends head to Palm Springs to ring in the New Year. Things take a terrifying turn as the friends all search for someone to kiss at midnight, and invite a killer into their midst.

When a popular rock star disappears under mysterious circumstances, a contest to find a replacement soon turns from dream-come-true to waking nightmare for the young hopeful.

In New York City, detective Luigi Mackeroni investigates a string of mysterious penile mutilations at the Hotel Quickie. After Mackeroni attempts to have a tryst with a gigolo he meets in the lobby, a carniverous condom bites off his right testicle and flees, which sets the detective off on a quest to stop the predatory prophylactic once and for all.

A socially awkward veterinary assistant with a lazy eye and obsession with perfection descends into depravity after developing a crush on a boy with perfect hands.

Benjamin is a young queer millennial actor living in West Hollywood who was once a famous child actor. When a new neighbor Chase moves across the hall and reveals himself as a fan, Benjamin begins investigating the oddly familiar man with his best friend Harley.

After a first date, two women find themselves in a magical hairy situation.

Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.