Diana
Maria
Peter
Niki
We follow the life of a man at eight, eighteen and eighty-two years old: in his village, outside the village, in the heat of the sun and the icy snow. The course of his monotonous life seems to be written in advance and meaningless. And yet an invisible force exists in him and in a mysterious way pushes him forward, towards death.
When Aaron, an ex-fighter, turns to music after years of being knocked around and left with permanent mental disabilities, he falls for Jana, an off-centered Bulgarian immigrant living in New York. While he recognizes that she is as crazy as he is, Jana does not share the same opinion. But her brother, Bobby, an up and coming wannabe fighter, decides to convince her she is that crazy in order to get Aaron in the ring against him.
The movie XIIa is the sequel of the super successful XIa. In XIIa the journey continues. After two years break, Lina is back to school to teach a new class - a new class, new problems. At home, the situation is also not better. Lina is separated with her cheating husband and her dominating mother is constantly bullying her, Lina's son is maltreated by classmates - at times the tension reaches extreme limits and Lina is about to collapse. Fortunately, she finds support in the sports teacher, a former boxer. The school director is also on her side, so are some of the students. Though the problems with the new class, especially with the beautiful and difficult Megan and between Lina and one of her colleague teachers deepen more and more. The prom is getting closer, the situation is about to escalate
Nadezhda Stoyanova is a renowned translator from Japanese and a university professor at the peak of her career and experience when she learns that she has a tumor. She finds out together with her daughter Evgenia, a host on the most-watched television channel. Both believe that the illness will be cured and that their lives will not change drastically - Evgenia continues her routine television work, while Nadezhda begins translating what is considered an untranslatable Japanese novel by Nobel laureate Yukio Kobayashi, titled Flesh. But they are both mistaken. Nothing will ever be the same again, because it is precisely the flesh—the inescapable human flesh—that has the final word.
The end of the 70s. Anton Krastev, a DOP and his wife Diana are separated by the Iron curtain - she fled with their son Antoan to Western Berlin while he stayed in Bulgaria. She believes that Antoan can only be cured in Germany. But Anton can't live without his job. He works with the best film director who is a high ranking Communist. The State Security Services are keeping a zealous eye on Anton. His phone calls are being taped, his letters are being read. His close relations to the power people of the day make him even more suspicious. The State Security Services put an end to Anton's relation with his wife. Thorn apart, Anton and Diana go through love, alienation and hate. There comes a time though when the powerful friends of Anton lose their power and he loses everything that he's ever loved - his work, his wife and son. Thirty years later Anton shoots the story of his own life. But those who now direct the movie are the very same people who once persecuted him.
