
Artika Sari Devi
Siti
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and…

Siti
Setyo

Ludiro
Sukesi
Sure

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

In the 1950s, guitar-playing drifter Dude Delaney wanders into a quiet town looking to play music and generally cause trouble, much to the chagrin of the local sheriff, known as Sarge. While palling around with his B-movie-obsessed friend Nixer, Dude meets the beautiful Donna, and is offered a position in a rockabilly band, but the sheriff is intent on getting rid of him by any means necessary.

August 1914. Europe has mobilised. The Imperial German Army has executed its Schlieffen Plan, has ploughed through Belgium, and is now deep in France. The British Expeditionary Force is seeing its first action against the Germans. Skirmishes in open countryside are common, and both sides are still learning how a modern war could and should be fought. Two soldiers, one English, one German, both with lives and lovers at home they would rather not have left, find themselves facing each other, alone. Alone, except for the French girl, Françoise…

Carter, a troubled teen stays with a friend of his dads and starts flirting with her son Danny. After the weekend school returns, however Carter a school jock tells Danny he does not want to be seen with him at school. Their relationship grows outside school hours though & soon enough Danny falls in love with Carter & after Danny is attacked romance ensures, but can it last.

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.
Anom
Pewarte
Dukun Sumba
Kusir Gerobak
Ibu Tua
Penembang Tua
Tukang Daging Prapto