Personal Drawing of a French Mercenary

Follows the artist over two years as he explores his „life after Beethoven“, as he searches for his next challenge, his identity as an artist.

Once thriving, a dead mall in upstate New York is now home to a ragtag flea market, living proof that the American Dream is in perpetual decay. Blending vérité with a stylized wit, this heartbreaking portrait raises questions about our disposable culture through the unfiltered lives of its eccentric community.

In 1986, during the Paris-Dakar rally, singer Daniel Balavoine, who was leading a humanitarian operation, was killed in a helicopter crash alongside Thierry Sabine. Nicolas Mathieu, his assistant, Léo Missir, his artistic director, HSH Albert of Monaco, and Charles Belvèze discuss the artist's career and his political and humanitarian commitments. Pierre Fauque and Anne Amado retrace the last moments of his life, from his arrival in Tamanrasset on January 6 to the day of his death in the desert, in the midst of a storm.

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.

A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.

It is the story of an encounter, that of two men, that of a coffin meeting its hearse, of death inviting itself into life or perhaps of life inviting itself into death. This encounter follows an advert on Leboncoin: “Solid oak coffin, varnished. Excellent condition. Large size. Its particularitý is to have the place for the legs embedded. It is not padded inside. Does not fit in an oven, hearse or traditional vault. Difficulty to get through doors (…)”