Cast
The decades-long debate surrounding reparations is fraught, mired in racial tension and the semantics of restorative justice. While the national conversation remains stalled due to legislative inaction, communities across the country examine their histories and take it upon themselves to arrange their own form of reparations. This detailed investigation of restitution presents accounts of everyday people confronting the past and exploring the possibilities of wealth transfer.
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.
On August 29, 1970 in East Los Angeles, a peaceful march of over 20,000 Chicanas/os, united in protest against the Vietnam War as part of the National Chicano Moratorium movement, was violently interrupted by an extreme, unjustifiable response by law enforcement. The tragic events of that day left four dead. Chicano Moratorium: A Question of Freedom is a harrowing, eyewitness documentary of the events of August 29, 1970 and their immediate aftermath, including the murder of Chicano journalist, Ruben Salazar. In contrast to biased TV news reports of the period, this student-made short offers an impassioned, unvarnished community account of the unrest and violence unleashed by the Los Angeles Sheriff’s Department in response to the otherwise peaceful march in protest of disproportionate Chicano casualties in the Vietnam War.
Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.
Documentary made by Yunus Vally, born in the 60s into a Muslim family during the height of the Apartheid era in South Africa, which examines the impact that the discriminatory laws of the state - specifically the so-called Immorality Act that determined who you could love and the censorship regulations that clearly defined what was deemed desirable - had on his life. It is also his attempt to fathom how he could have been an ardent Trotskyite who secretly fancied blonde Afrikaans beauty queens. (Storyville)
February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.
