The Boss Is the Doorman

The film is an Egyptian adaptation of a play by Marcel Pagnol, transposed into an Egyptian and Arab context. It follows the story of a shy, naive professor who allows himself to be exploited by an aristocrat or influential figures—depending on the interpretation—in a gambling scheme or a con. As the plot unfolds, the professor undergoes a moral transformation, coming to accept and eventually adopt behaviors that were initially alien to his nature. The narrative explores two central themes: the temptation of corruption and the clash of cultural codes—specifically between Western culture and the Arab/Cairene society depicted in the film.

Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.

A dangerous drug dealer, who manages to manufacture new drugs, sells them, and falls into many problems and chases by the police.

After suffering Egyptians from the oppression of the Mamluks and despotism clump the people and organize popular resistance to eliminate them and get rid of the ruling Circassians and the commander of his bodyguards Aybak, joins Alhabiban Ahmad and Qamar resistance despite suffering colors they receive, designed Ahmed to avenge the death of his mother on their hands, achieved guerrilla dream he is condemned the country's young people from Egyptians are free.

Everyone in his village believes that Zein is a simpleton, a half-wit, an amiable buffoon. Thus, his braying laughter and public declarations of love for village maidens only win laughter rather than anger, beatings or worse. However, Haneen, a wandering Muslim holy man, perceives something more in this figure of fun: genuine piety and an inner radiance, marked by a powerful spiritual intelligence. One other person sees more in Zein than most do- the beautiful, pious and sedate young girl in the village.

The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

The movie focuses on the fury state that was among the people in synchronization with the main event in Egypt: The 1919 Egyptian Revolution which unites the fates of Kira and El Gen to participate in the struggle against the British occupation.

The movie revolves around a young girl who has the ability to foresee events before they happen. Will this special ability that she possesses become a curse or a blessing for those around her?

The film revolves around an officer who examines some social issues, especially those related to the crises of the poor within moled el saida, and the problems they face.

Three women each have their own ambitions and aspirations. The first dreams of fame and fortune and meets a rich, married man she attempts to court. The second is a secretary with designs on her boss, even though he too is married. Having learned from her friends' experiences, the third takes an altogether different path.

Youssef joins a United Nations disaster-fighting group dubbed the Desert Cat. When he discovers an alternative for petrol, an international gang tries to steal his discovery and recruits a girl to seduce him.

After a "white lie" which spirals out of control, a neurotic, naive and musically gifted Muslim cleric's eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl.