
(archive footage)

(archive footage)

(archive footage)

(archive footage)

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Former detective Nick Charles has retired from police work, preferring a life of cocktails, parties, and relaxation with his wealthy wife, Nora. Their holiday is interrupted when the daughter of Nick’s former client asks for help finding her missing father, eccentric inventor Clyde Wynant. When Wynant’s body is discovered, Nick is drawn back into the investigation, with Nora eagerly joining him. As the couple questions Wynant’s family, friends, and business associates, a tangled web of greed, deception, and murder begins to unravel.