Fantasy / Adventure / Comedy
A post-apocalyptic universe. A metropolis of two societies. On the surface, a regime that isolates the individuals in elite. A whole city scraped in the underground, where survival is the only law. Up and down don’t merge. Yet the Mole will climb up to fulfil his dreams.


El Topo

Reznicoff

El director
Tesi

El preceptor

Kongo

Enzo

Pareja Enzo
Peti

Amadeo

Jorge is a taxi driver from Córdoba clinging to rhetoric of order, meritocracy, and anger. His only friend is López, his dead rabbit—confidant and spiritual compass. At night, Jorge and López cross paths with passengers who embody various social stereotypes, distorted mirrors of a society on edge. Amid absurd conversations and increasingly extreme situations, his routine shatters when the young man who humiliated him hours earlier gets into the cab. Caught between anger, delirium, and a yearning for vindication, Jorge must decide whether to act to reclaim his wounded dignity or accept becoming the object of ridicule he feels the world has imposed on him.

The attractive Argentine Don Careless is an adventurer and an excellent swordsman. Don is in love with Maria Moreno, since he had to emerge her jewels and had thereby to kill a shark. Don tries to prevent the forced marriage of Mary with the ruthless revolutionary Colonel Luis Corral. An armed clash between Don and Luis seems inevitable.

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.

The story—in which an American heiress on holiday in South America falls in love with an Argentine horse breeder against the wishes of their families—takes a backseat to the spectacular location shooting and parade of extravagant musical numbers, which include the larger-than-life Carmen Miranda singing the hit “South American Way” and a showstopping dance routine by the always amazing Nicholas Brothers.

Charlotte Lord, a widow in her early forties and owner of Manhattan's smartest modiste shop, is about to marry Guy Barton, a wealthy businessman. But Mexican divorces have been declared illegal, so Guy is still married to Sybil Barton, an unscrupulous gold-digger who left him twelve years earlier. She demands that Guy give her $250,000 for his freedom.- Written by Les Adams