Gaahl (archive footage)
Four talented alien musicians are kidnapped by a record producer who disguises them as humans. Shep, a space pilot in love with bass player Stella, follows them to Earth. Reprogrammed to forget their real identities and renamed The Crescendolls, the group quickly becomes a huge success playing soulless corporate pop. At a concert, Shep manages to free all the musicians except Stella, and the band sets out to rediscover who they really are — and to rescue Stella.
Live concert from 2016 Bang Your Head!!! festival concert, a set which illustrates the very best of what Annihilator is known for - tight, sharp, technically excellent and melodic thrash metal music and some exclusive inside-Annihilator off-stage perspective, courtesy of Jeff Waters's own camera, which captures further elements, flavors and detail of the band which fans will flip over.
Featuring everything from Old-Time Gospel to Honky Tonk and Bluegrass, the beloved performance show Country’s Family Reunion started all the way back in 1996, Country music legends gathered in an informal setting to sing nostalgic songs, share their stories, and provide a fascinating behind-the-scenes glimpse into their histories. The reunions soon became a favorite cable television show that ran for over two decades.
"Vision and Voice" is the first live performance recording by Polish death metal band Vader. It was released in VHS format on December 1, 1998 by Metal Mind. The album consists Vader concert filmed and recorded on March 25, 1998 at Studio Łęg in Kraków, Poland. The DVD edition entitled "More Vision and the Voice" was released on June 3, 2002 by Metal Mind. Apart from main concert recorded in Kraków the re-release includes tree video-clips, eight bootleg live tracks from No Mercy Festival 2001, interview with Piotr "Peter" Wiwczarek, band and individual members biographies, discography, photo gallery, desktop images, art gallery, and weblinks. The release was remastered, and converted to Dolby Digital 5.1 Surround at Studio 333 in Częstochowa, Poland by Bartłomiej Kuźniak.
One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.
One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.
One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.
Turo is stuck in a small village and the best thing in his life is being the lead vocalist for the amateur metal band Impaled Rektum. He and his bandmates have practiced for 12 years without playing a single gig. The guys get a surprise visitor from Norway -- the promoter for a huge heavy metal music festival -- and decide it's now or never. They steal a van, a corpse, and even a new drummer to make their dreams a reality.
