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The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.

For generations, the entrance to the family home has been marked by a white-painted olive tree, a symbol of identity. Today, the filmmaker’s father and brother must cut it down so that their grandmother can move more easily in and out of the house. This event sparks a reflection on the grandmother’s grief following the grandfather’s death, as well as on the distance and tensions that arise between the filmmaker and his brother whenever he returns home. The short film unfolds as a filmed letter from one brother to another.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Existing is a breath of air for those who spend part of their lives merely resisting. In 15 minutes, it tells the story of four LGBTQIAP+ individuals living in João Pessoa. The documentary portrays their personal, romantic, and professional experiences, showing the possibility of going beyond—of Existing.

What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.